Pitch & frequency calculator • 2026 audio tools
\( f_2 = f_1 \times 2^{\frac{n}{12}} \)
Where:
This formula calculates frequency ratios in equal temperament tuning system.
Common Intervals:
Example: From A4 (440 Hz) to E5 (perfect 5th):
\( f_2 = 440 \times 2^{\frac{7}{12}} = 440 \times 1.4983 = 659.26 \text{ Hz} \)
Thus, E5 is approximately 659.26 Hz.
A music interval is the distance in pitch between two notes. It can be described in terms of semitones (half steps) or whole tones (whole steps). Intervals are fundamental to music theory, forming the basis for chords, scales, and harmonic relationships. They define the harmonic content and melodic movement in music.
The frequency relationship in equal temperament is calculated using:
Where:
Distance in pitch between two musical notes.
\(f_2 = f_1 \times 2^{\frac{n}{12}}\)
Where f₂=target frequency, f₁=start freq, n=semitones.
Modern tuning system with equal semitone spacing.
What is a musical interval?
The answer is B) The distance in pitch between two notes. A musical interval measures the difference in pitch between two notes. It can be described in terms of semitones (half steps) or whole tones (whole steps). For example, the interval between C and G is a perfect fifth, which spans 7 semitones.
Understanding intervals is fundamental to music theory. They form the building blocks of scales, chords, and melodies. The size of an interval is determined by the number of semitones between the two notes. This concept is essential for harmony, counterpoint, and composition.
Interval: Distance in pitch between two notes
Semitone: Smallest interval in Western music (half step)
Whole Tone: Two semitones (whole step)
• Intervals measure pitch distance, not time
• Size measured in semitones
• Form basis for chords and scales
• Count half steps between notes to identify intervals
• Memorize common intervals (4th, 5th, octave)
• Confusing intervals with rhythm or duration
• Mixing up interval size with volume
Calculate the frequency of the note that is a perfect fifth above A4 (440 Hz). Use the formula f₂ = f₁ × 2^(n/12) where n = 7 semitones for a perfect fifth. Show your work.
Using the interval formula: \(f_2 = f_1 \times 2^{\frac{n}{12}}\)
Given:
Step 1: Calculate the exponent
\(\frac{n}{12} = \frac{7}{12} = 0.5833\)
Step 2: Calculate the multiplier
\(2^{0.5833} = 1.4983\)
Step 3: Calculate the resulting frequency
f₂ = 440 × 1.4983 = 659.25 Hz
Therefore, E5 (perfect fifth above A4) has a frequency of approximately 659.25 Hz.
This calculation demonstrates the mathematical relationship between musical intervals and frequencies. The equal temperament system divides the octave into 12 equal parts on a logarithmic scale, ensuring that the same interval produces the same frequency ratio regardless of the starting note.
Equal Temperament: Modern tuning system with equal semitone spacing
Logarithmic Scale: Scale where each step is a multiple of the previous
Perfect Fifth: Consonant interval spanning 7 semitones
• Use the formula f₂ = f₁ × 2^(n/12)
• Perfect 5th = 7 semitones
• Verify calculations with standard ratios
• Remember: Perfect 5th ≈ 1.5× frequency
• Perfect 4th = 5 semitones
• Octave = 12 semitones
• Forgetting to divide by 12 in the exponent
• Using linear instead of exponential calculation
• Confusing the number of semitones for different intervals
A major triad consists of a root note, a major third (4 semitones above root), and a perfect fifth (7 semitones above root). If the root is C4 (261.63 Hz), calculate the frequencies of all three notes in the chord. Show your work.
Given: Root note C4 = 261.63 Hz
Step 1: Calculate major third (E4, 4 semitones above root)
f₂ = 261.63 × 2^(4/12) = 261.63 × 2^(0.3333) = 261.63 × 1.2599 = 329.63 Hz
Step 2: Calculate perfect fifth (G4, 7 semitones above root)
f₂ = 261.63 × 2^(7/12) = 261.63 × 2^(0.5833) = 261.63 × 1.4983 = 392.00 Hz
Step 3: List the chord notes
C Major Triad: C4 (261.63 Hz), E4 (329.63 Hz), G4 (392.00 Hz)
Therefore, the C major chord consists of frequencies 261.63 Hz, 329.63 Hz, and 392.00 Hz.
This problem demonstrates how intervals combine to form chords. A major triad is built using specific intervals: root, major third, and perfect fifth. These intervals create the characteristic consonant sound of major chords. Understanding these relationships is essential for composition, harmony, and sound synthesis.
Major Triad: Chord with root, major 3rd, perfect 5th
Major Third: Interval spanning 4 semitones
Perfect Fifth: Interval spanning 7 semitones
• Major triad = root + major 3rd + perfect 5th
• Major 3rd = 4 semitones
• Perfect 5th = 7 semitones
• Major 3rd ≈ 1.26× frequency
• Perfect 5th ≈ 1.5× frequency
• Use intervals to build any chord type
• Confusing major 3rd with perfect 5th
• Forgetting the semitone counts for intervals
• Arithmetic errors with exponential calculations
In just intonation, a perfect fifth has a frequency ratio of exactly 3:2 (1.5). In equal temperament, it's 2^(7/12) ≈ 1.4983. Calculate the difference in cents between these two tunings for a perfect fifth. (Hint: cents = 1200 × log₂(ratio), where log₂(x) = ln(x)/ln(2))
Step 1: Calculate cents for just intonation (3:2 ratio)
Cents = 1200 × log₂(3/2) = 1200 × ln(1.5)/ln(2) = 1200 × 0.4055/0.6931 = 1200 × 0.5850 = 702 cents
Step 2: Calculate cents for equal temperament (2^(7/12) ratio)
Cents = 1200 × log₂(2^(7/12)) = 1200 × (7/12) = 700 cents
Step 3: Calculate the difference
Difference = 702 - 700 = 2 cents
Therefore, the equal temperament perfect fifth is 2 cents flatter than the just intonation perfect fifth.
This demonstrates the compromise inherent in equal temperament tuning. While it allows for modulation to any key, individual intervals are slightly out of tune compared to their just intonation counterparts. The difference of 2 cents for a perfect fifth is barely perceptible to most listeners, but adds up across multiple intervals in complex harmonies.
Just Intonation: Tuning system with pure frequency ratios
Equal Temperament: System with equal semitone spacing
Cent: Unit of musical interval (1/100 of semitone)
• Cents = 1200 × log₂(ratio)
• Just perfect 5th = 702 cents
• Equal tempered 5th = 700 cents
• Equal temperament = compromise system
• Just intonation = pure but key-limited
• 1 cent ≈ smallest perceivable difference
• Forgetting the 1200 multiplier in cent calculation
• Confusing log₂ with log₁₀
• Misapplying the logarithm formula
Which of the following correctly orders these intervals from smallest to largest in terms of semitones?
The answer is B) Major 2nd, Minor 3rd, Perfect 4th. Here are the semitone counts:
So the correct order from smallest to largest is: Major 2nd (2) < Minor 3rd (3) < Perfect 4th (5)
Understanding the size of intervals in semitones is crucial for music theory. The pattern of semitones determines the quality of the interval. A major 2nd is smaller than a minor 3rd, which is smaller than a perfect 4th. This knowledge is essential for scale construction, chord formation, and harmonic analysis.
Major 2nd: 2 semitones (whole step)
Minor 3rd: 3 semitones
Perfect 4th: 5 semitones
• Major 2nd = 2 semitones
• Minor 3rd = 3 semitones
• Perfect 4th = 5 semitones
• Memorize semitone counts for common intervals
• Major intervals are larger than minor
• Perfect intervals are pure and consonant
• Confusing the size of major/minor intervals
• Forgetting that major intervals are larger
• Mixing up semitone counts for different intervals
Q: What's the difference between just intonation and equal temperament?
A: Just intonation uses pure frequency ratios (like 3:2 for perfect 5th), creating perfectly consonant intervals in specific keys. Equal temperament divides the octave into 12 equal semitones, allowing modulation to any key but making intervals slightly impure.
Mathematically, in just intonation:
Perfect 5th = 3:2 = 1.5 ratio
In equal temperament:
Perfect 5th = 2^(7/12) ≈ 1.4983 ratio
The difference is only 2 cents, but just intonation sounds more consonant in its intended key while equal temperament allows for key changes.
Q: How do I calculate the frequency of a note that's several octaves away?
A: Each octave doubles the frequency. If A4 is 440 Hz:
For any note, use the formula: \( f_n = f_0 \times 2^{\frac{n}{12}} \) where n is the number of semitones from the reference note.